Gregk Foley

@gregk.co.uk

It just makes you wonder: If you can’t trust a venerable institution like the British Royal Family, then who can you trust?

Virus Consciousness

@grape2024.bsky.social

📰 Why Your AI Costs Skyrocket As Your Product Gets Better

The optimisation paradox is quietly killing early-stage AI startups. Continue reading on Artificial Intelligence in Plain English »

Lewin

@rainbowdefault.bsky.social

the problem with being a starving digital creator is that i *should* have a website but also who has the time (or the $50 a month gouge to pay squarespace)

jack‼️

@waferbiscuits.bsky.social

Decorum and ‘professionalism’ are what will get us killed. My senator using donor money to campaign a bill that will keep elected officials from “slapping their name on established buildings” meanwhile a concentration camp is being built less than an hour from where I live.

Ernest Luckman

@ernieluckman.bsky.social

shit I had a parley on Dunc going 5-0 on fanduel.

myrmepropagandist

@futurebird.sauropods.win.ap.brid.gy

A group of roaches are suing "moltbook" for defamation.

"Molting isn't gross, and we are dismayed that this important life milestone that means so much to so many young nymphs is being sullied by this project."

Wojtek the Union Law Bear

@wearyhobo.bsky.social

I am reading a book that calls rec.sport.baseball "a chat room hosted by Use.net, a precursor to the internet" and I want to die

Silver Screen Riot - Matt

@silverscreenriot.bsky.social

‘How to Make a Killing’ is a stylish crime caper about a man murdering his way toward a faster inheritance, but its inability to cut beneath the surface of its characters leaves it feeling as vacuous as the ultra-wealthy figures it aims to lampoon. silverscreenriot.com/how-to-make-...

@us-nb.bsky.social

Bare Skin review – floridly wordy group therapy horror is propelled by trauma stories | Movies

https://https://www.newsbeep.com/us/472232/

Writer-director Mico Montes’s debut feature is a workably creepy, fitfully absorbing horror effort that centres around a group…

Cineuropa, the site for European cinema

@cineuropa.bsky.social

"Ottinger visually plays with the greys of the city and its modern-day, cold symmetries, interweaving them with soft, anachronistic, clichéd images of a bygone Vienna and red spots of colour." 🧛‍♀️🩸 Read the review of Ulrike Ottinger's Berlinale Special entry The Blood Countess:
https://cineuropa.org/489266