London Review of Books
@lrb.co.uk
βThe music Bernard Herrmann wrote for ππ©π¦ ππ³π°π―π¨ ππ’π― is diffident, sometimes almost unnoticeable. His score for Hitchcockβs next film, ππ¦π³π΅πͺπ¨π°, is loud, lushly romantic and Wagnerian. But in some respect, the scores are identical.β
@jonathancoe.bsky.social:
https://www.lrb.co.uk/the-paper/v48/n13/jonathan-coe/where-was-the-drum-kit